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After that you adjust strength, tonal values and color balance. So you can basically choose your desired film type within the subcategories and apply the preset. How it worksĪccording to RNI the presets are designed to work like a good film scanner: “It is designed to provide you with the best possible level of tonal detail for each emulsion at 100% of the profile strength.” Is what Olly from RNI told me. Please check the RNI website for further details, especially about which film preset is contained in the set.
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The product can be purchased in two versions, a Lite and a Pro version, which contains different amount of film presets in various variations as well as a toolkit.
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You have the full power of highlight recovery, contrast and shadow lifting. Another benefit is that it leaves all Lightroom sliders for creative edits. It is super easy to reduce or increase the effect by simply moving the strength slider in the profile tab of Lightroom. Each preset that is included assigns a color profile (basically a look up table) that can be adjusted in strength and value. I know RNI from their previous “All Films 4” product and the biggest change that was introduced in the newly released version is the profile based approach to editing. And this good, as it makes this product special and sets it apart from competitors. The presets target more towards creating mood and atmosphere than precisely matching colors or tones to an existing film scan. After spending quite some time with the RNI presets in Adobe Lightroom I have to say that it is really possible to pleasingly emulate the vintage look of color and black and white film with this tool. Surely, film emulation presets are not for every photographer and I am convinced that neither product can compete with the pleasure of shooting real analog film, but there are tools available which can help us to make a digital file look more natural or maybe a bit analog. The traditional medium for photography never really lost its appeal, we could even say that the appeal of analog film still supersedes the look of a digital capture.
But in the end, it was even more, I was quite impressed by the quality and potential of these film simulation presets. When the London based art & technology company RNI, which stands for “Really Nice Images”, asked me if I want to check out their freshly released RNI All Films 5 presets, I knew already that it would be at least interesting and enjoyable to do so.
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I consider a preset a starting point, a small push into the right direction and a baseline for a cohesive look when editing a series of images. Basically I am very restrictive with presets for two reasons: First, I don‘t want to copy another photographers work and second, often presets are very unprecise and don‘t work the way I want. Is buying a set of film presets worth the money and will it improve your images? A question raised many times and just recently it became a topic again on social media.
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